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Outside the house in Kanazawa

by Minor House

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  • Compact Disc (CD) + Digital Album

    40 more copies. Folded paper sleeve with front image printed on photo paper and back information sticker, contained in a plastic wallet. Same as the first edition, apart from it not being numbered and instead saying '2nd'

    Includes unlimited streaming of Outside the house in Kanazawa via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
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    Purchasable with gift card

      ¥800 JPY or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      ¥400 JPY  or more

     

  • Both CDs from the new batch
    Compact Disc (CD) + Digital Album

    This album and Tim Olive's 'Tuxford Fumble' at a discount and no extra postage. I'll send the extra download code by email

    Includes unlimited streaming of Outside the house in Kanazawa via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Sold Out

  • Two CDs in the new batch plus one other
    Compact Disc (CD) + Digital Album

    The two CDs in the new batch, and one from the back catalogue of your choice, at a discount and with discounted postage. Please mention the other CD you want in the order note and I will send you download codes.

    Includes unlimited streaming of Outside the house in Kanazawa via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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about

(English below)

東京で11年間過ごしたあとに金沢へと引っ越した。それからは関西のSukima Industriesというレーベルのイベントによく呼んでもらうようになり、そのライブの会場としてよく使われていたのが神戸のSPACE EAUUUという場所だった。その空間の店主が当時よく演奏していたグループがこのMinor Houseというユニットで、キーボードとエレキギターというシンプルなデュオでありながらも、音色の選び方や聴かせどころを心得ている演奏で、それは円熟した大工がカンナを繊細な手つきで研いでいるかのようだった。とはいえ、そのカンナは切れ味鋭い、というよりは、彼らが作りたい音の家屋のために縁側でお茶でも飲みながら研がれているかのように牧歌的な趣がある。関西のミュージシャンにありがちな奇矯なキャラクターや気負いとは無縁の、あっけらかんとした彼らのライブでの佇まいは、あまりにも朴訥とした人柄で、時に音楽シーンでの人間関係やイメージなどに演奏の内容そのものが引っ張られがちな場においてはどうも過小評価されているようだった(こういった即興演奏とはうらはらに、彼らが演奏の合間にB級カンフー映画についての無用な愛を語りすぎるMCに問題があったのかもしれない)。

そのうち、彼ら自身の企画にもよく呼んでもらうようになり、今度は自分も金沢でMinor Houseのライブを企画することになった。と同時に、彼らがグループ結成からそれまで一度も音源のレコーディングをしたことがないと知った自分は、ライブ企画とは別に、金沢の野外のあちこちのストリートで演奏したものをちょうどその頃にハードオフで見つけて購入したカラオケマシーンのテープデッキで録音してはどうかと思いついた。閑散としたお寺の境内から始まり、金沢駅の地下通路、公園や美術館の庭など周りながら、夜には魚市場やシャッターが降りたあとの街中など、あらゆる場所で演奏しつつ、最終的には金沢城の本丸跡地でも演奏し録音した。野外録音とはいえ、テープマシンに二人のキーボードとギターがダイレクトにライン入力で録音されているので、特に周囲のフィールドレコーディングの音が収められているわけではない。だが、演奏そのものはその周囲の環境に多いに影響されており、そのドキュメントとしてこのアルバムが制作された。が、その後minor houseはあらゆる事情から活動が停滞し、自分自身も海外ツアーなどで忙しくなってしまい、長い年月が経ってしまった。が、ここのところ関西の多くの音楽家を送り出していた経緯からKirigirisu Recordingsからついにこの日陰の建物がめでたく日の目を見ることになった。これを機に彼らの活動も再び見られるかもしれない。

Text by Asuna Arashi


After spending 11 years in Tokyo, I moved to Kanazawa . After this move, I was often invited to the events of the label Sukima Industries in Kansai, and the place that was often used as a live venue was SPACE EAUUU in Kobe. The group that the owner of the space often played in at the time was a group called Minor House, and although it was a simple duo of keyboard and electric guitar, it was a mature performance that knew how to choose tones and when to listen. It was like an experienced carpenter using a plane with a delicate hand. Although the plane is sharp it also has an idyllic side, as if it were sharpened while drinking tea on the porch of the sound house they wanted to create. Their open and unassuming live performances, unrelated to the eccentric characters and self-consciousness that are common among Kansai musicians, was so simple that it seemed to be underestimated in a place where the content of the performance itself tends to be pulled by the relationships and images of people in the music scene (such improvisation is not the same as a performance). (Perhaps the problem was that they talked too much about their love of B-movie kung-fu films in between the improvised pieces.)

After a while, I started to get invited to their projects, and I ended up organizing a Minor House concert in Kanazawa myself. At the same time, I learned that Minor House had never recorded any sound recordings since the group's formation, so I thought it would be a good idea to record their outdoor performances in the streets of Kanazawa with a karaoke machine tape deck that I had found at Hard-Off around that time. We started in the precincts of a deserted temple, then went around the underground passageway of Kanazawa Station, parks and museum gardens, and at night played everywhere, including the fish market and the streets after the shutters had come down, and finally played and recorded at the site of Kanazawa Castle. Even though it was an outdoor recording, the two keyboards and guitars were recorded directly through the line input, so the sound of the surrounding field recordings was not captured. However, the performances themselves were heavily influenced by their surroundings, and this album was produced as a documentation of that. After that, however, minor house's activities stagnated for various reasons, and I myself became busy with overseas tours, etc., and many years have passed. But now the album will be released by Kirigirisu Recordings and the shady building will finally see the light of day. With this opportunity, their activities may at last be seen again.

Text by Asuna Arashi

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released June 4, 2023

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Kirigirisu Recordings Tokyo, Japan

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